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Music Video

Has Father John Misty Lost His Humor With Lana Del Rey's "Freak"?

New MusicSean McHughComment

Grab the hotsauce from your nightstand and pour it down your throat, because Lana Del Rey has a banging new 10 minute music video / tour-de-farce. Hipster lore and teenage phantasm reach critical mass on Lana Del Rey’s “Freak,” off her 2015 release, Honeymoon.

Sarcasm aside, the video features the misanthropic matrimony between two of music’s most aloof artists - Lana Del Rey and Father John Misty. A video sure to be misinterpreted by throngs of YouTube-ing teenyboppers, “Freak,” offers a glimpse into the pseudo-story of a cult chieftain (Lana Del Rey) and her ardent disciple (Josh Tillman AKA Father John Misty ) as they blur the lines between liturgy and carnal desire.

An unwarranted combination, the pairing represents a potentially troublesome career choice for the Father, whose career prior to his “star” turn in “Freak” was predicated mostly on skewering the life of the pseudo-ultra-apathy of “indie” pop queens such as Del Rey. Its perplexing as to why Misty would agree to involve himself in something that seems so ludicrously serious – not in the sense of importance, but rather self-perception – though, perhaps the ambiguity of Misty’s tenure throughout the video is his ultimate act of satire.

There are scenes of sacramental exchanges of acid tabs, a presumably unholy red concoction, and sultry corporeal cavorting, as doyen and disciple traipse through a hallucinatory spectacle that is Topanga, California. Supposedly inspired by Tillman’s past experience with acid (purportedly, at a Taylor Swift concert in Australia), the music video portion ends with Tillman and Del Rey dancing in thick smoke, holding hands and walking into the void.

Following the music video portion, the remaining 5-ish minutes are filled with the aforementioned harem of women swimming in a pool while “Clair de Lune” plays, eventually joined by Del Rey and Misty. Is there a more divine purpose to the video? Who knows? Is wild speculation and purveying ones own inaccurate notions abound likely? Yes. Either way, the video is a spectacle in and of itself, much to its own bemusement, and 10-minute time allotment. Here's hoping Father John Misty has reached peak prankster and not descended to half-assing apathist like his newfound contemporary. 

Watch a Basketball Team Gorilla Mascot Steal Your Girl in Tame Impala's "The Less I Know the Better"

New MusicWeston PaganoComment

Seeing the girl of your dreams holding hands with some guy, or basketball team gorilla mascot, named Trevor may not be "the greatest feeling ever," but watching the new music video for Tame Impala's "The Less I Know The Better" might well be one of them.

You can't really go wrong when directed by delightful Spanish collective CANADA, who have been making some of the most brilliant music videos in recent years from El Guincho's "Bombay" to Battles' "Ice Cream," and their work with this Currents classic is no exception.

CANADA drench the Australian indie darlings' groovy bassline wallop and sultry croons in their quintessentially quirky and colorful aesthetic for a trippy and stimulating experience bound to rival preceding music video "Let It Happen" in those near-encroaching year-end lists.

This love triangle tale of man and ape is a particularly sexual and surreal short film even for them, and it's safe to say the more you watch the better.

EXCLUSIVE PREMIERE: Explore the Dark Side of Veneto in Zebra's "Blanco" Video

Exclusive Premiere, New MusicWeston PaganoComment

Venice-based trio Zebra have premiered a beautiful new music video to accompany "Blanco," the single from their debut EP Homo Habilis released late last year.

Opening with a steady firecracker of driving percussion the track then layers on some gentle harmonizations before delving into crunching guitar jabs as the lens flares over an odd dream sequence of events shot across Italy's Veneto region. Flirting with some math rock and grunge elements, Zebra prove sometimes the most dynamic developments in independent music don't always come from the most predictable of places.

The video itself, directed by Italian cinematographer Andrea Calvetti, was shot entirely on 16mm film with only available light and two neon bars. Combining a series of seemingly disjointed experiences from a lonely fairground jaunt to an eerie cave with strange inhabitants, the visuals form a captivating story companion to frontman Luca Zambelli's longing to "Turn this gray into gold."

Zambelli told Transverso,

The video portrays our character as artists, emptied from creativity and lost in a world where time has no dimensionality, a world of passion and art, but also futility and melancholy.

Check it out below.

You can buy Homo Habilis here.

Majical Cloudz Release New Music Video "Downtown," Announce Tour

New Music, Music NewsWeston PaganoComment

Following the music video for "Silver Car Crash," minimalist emoters Majical Cloudz have released a similarly DIY, black and white music video for the new second single from forthcoming sophomore album Are You Alone?, "Downtown."

The playful home video-esque production and the unusually optimistic nature of the track itself ("Is it really this fun when you're on my mind? / Is it really this cool to be in your life?") is in stark contrast to much of the Montreal duo's previous discography, though the gorgeous depth of synth and simple yet beyond powerful vocal deliveries that they've come to be known for are still there, if not even stronger than before.

Oh, and we finally get to see him blink, even if only briefly, around the 2:09 mark.

Are You Alone? comes out next Friday via Matador, and it can't come soon enough. Watch "Downtown" and check out the new tour dates below.

Majical Cloudz Tour Dates

10/17 – Toronto, ON @ Smiling Buddha
10/21 – Brooklyn, NY @ National Sawdust
10/22 – Halifax, NS @ Halifax Pop Explosion
10/23 – Montreal, QC @ Phi Centre
11/07 – Middlebury, VT @ Middlebury College
11/18 – London, UK @ St. John on Bethnal Green
11/20 – Paris, FR @ L’Archipel
11/23 – Brussels, BE @ Botanique Rotonde
11/25 – Berlin, DE @ ACUD
01/15 – Toronto, ON @ The Garrison
01/16 – Detroit, MI @ TBA
01/18 – Chicago, IL @ Schubas Tavern
01/22 – Vancouver, BC @ Cobalt
01/23 – Seattle, WA @ TBA
01/24 – Portland, OR @ Mississippi Studios
01/26 – San Francisco, CA @ The Chapel
01/29 – Los Angeles, CA @ TBA

"The Knower" Is Elderly Arsonist in New Youth Lagoon Music Video

New MusicSean McHughComment

In what has become a growing string of ocularly stimulating and thematically fascinating visual companions for Youth Lagoon’s recent Savage Hills Ballroom LP, Trevor Powers has now followed up "Highway Patrol Stun Gun" with a new, Lucas Navarro-directed video for “The Knower."

The video follows a mystifying old woman wandering about what looks to be an animated nursing home filled with vibrant adornment that serve as purposeful symbolism or deliberate misdirect.

The video scans various parts of nursing home life– a bingo hall, a solarium walkway, someone’s hand sliding off of a cane – that eventually leads to the illumination of the building’s name as the “Savage Hills Retirement Home.” Could this video provide context to the origin Trevor Powers’ choice of album title?

More setting passes and then we’re met with the tired eyes of an elderly woman, meandering across a swimming pool deck, in total and complete solitude. Another shot of the cockatoo and then a match igniting into flame, and all of a sudden, the Savage Hills Retirement Home ballroom is set ablaze as the elderly woman turned arsonist watches in quiet tranquility.

The silent, lifeless shots seen at the beginning of the video are now disrupted with fits of flame and frenzy, when all the while, our favorite elderly arsonist ambles out of the ballroom with only the slightest sense of urgency. Amidst the tumult of the inferno, the cockatoo breaks out of its cage, perhaps symbolizing Powers’ coming to grips with the death of a friend, or maybe even utilizing the allegorical connection of a cockatoo being a sign of spiritual providence. Who knows?

Our favorite elderly arsonist is last seen dancing amongst the flames of the Savage Hills Retirement Home ballroom, with the cockatoo flying past in escape. “The Knower” certainly offers up some powerful imagery in its visual counterpart, but Powers’ true intention behind the video is shrouded I the same stimulating imagery, which makes the experience all the more lush.

Savage HIlls Ballroom is out now via Fat Possum Records

Watch Father John Misty Share His Enduring Love for Josh Tillman in New Music Video

New MusicSean McHughComment

The ever esoteric, but endlessly engaging Father John Misty has released the music video for “The Night Josh Tillman Came to Our Apt.” off his sophomoric (and sardonic) effort I Love You, Honeybear.

The video opens with two iterations of Josh Tillman in a bar - one charming and debonair, the other detached and unencumbered. As the video progresses, the two Joshes partake in a variety of vacuous hipster rom-com tropes - pool swimming, drug sharing, and three part “Silent Night” harmonies - leading up to the most irreverent of narcissistic embraces.

Witness the unholy coupling for yourself below:

I Love You, Honeybear is out now on Sub Pop.

Majical Cloudz Doesn't Blink Once In "Silver Car Crash" and It's Lovely

New MusicWeston PaganoComment

Majical Cloudz's new music video for "Silver Car Crash," the first single from his forthcoming sophomore album Are You Alone?, is a playfully off-putting and genuine little black-and-white journey with Devon Welsh as he balances on a railroad track and stares directly into your soul.

Earnest and simple, it eschews the grand production of moving masterpieces "Childhood's End" and "Bugs Don't Buzz," more resembling the DIY charm of "Savage," all without one. single. blink.

Are You Alone? is out October 16 via Matador.

Unknown Mortal Orchestra's "Can't Keep Checking My Phone" Video Is a Rabbit-Hole of Phenomena

New MusicWeston PaganoComment

Unknown Mortal Orchestra's third album, Multi-Love, is already a standout record this year, and now we have a new music video for its second single, "Can't Keep Checking My Phone," that is sure to be on the year-end lists as well.

A menagerie of unusual afflictions and other peculiar phenomena from Stendhal syndrome to divine intervention, the 4:21 runtime is chock-full of incredibly stimulating imagery with captions inspired by the style of trading card games like Mars Attacks. Directed by Dimitri Basil and Cooper Roussel (with art direction by Laura Gorun and Dominique Basil), it's just the type of thing you would hope to stumble upon in "an internet rabbit-hole researching at four in the morning," as described in UMO's Facebook post.

Put down your phone and click play on this (slightly NSFW) adventure below.

Life's a (Dirty) Beach in Beirut's New "Gibraltar" Music Video

New MusicWeston PaganoComment

Beirut have followed up the peculiar and playful music video for their forthcoming record No No No's title track with "Gibraltar," a slow, percussive number showcasing vocals from frontman Zach Condon as gentle as lazy waves on the beach.

It seems fitting, then, that the new music video accompanying the single has the band ambling across that very landscape, though in this case it is littered with trash. Surreality and smoothness are not the only traits the two videos have in common, though, with this one also being the directing work of Brother Willis.

Watch "Gibraltar" below.

No No No can be yours this September 11th via 4AD.